How we (used to) remember the Partisans. Culture of memory and art form during and after Yugoslavia
Samo za registrovane korisnike
2024
Članak u časopisu (Objavljena verzija)
Metapodaci
Prikaz svih podataka o dokumentuApstrakt
This paper contends that, under certain socio-political circumstances and in given historical periods, some art forms become particularly powerful means of expressing collective ideas about a shared past. Might artistic forms themselves tell us something about the social function of collective memory, as well as about the society that “addresses” its past through them? In an attempt to answer this question, the paper will look at the distinctive artistic expressions for remembering the Yugoslav anti-fascist Partisan movement and World War II at three moments in time, during which the memory of World War II was respectively (1) institutionalized as a narrative of the Partisan struggle and victory (through monumental memorials), (2) then called into question and remolded into “dissident” literary narratives, to eventually become (3) a form of activist socio-cultural critique of both nationalist memorialization in post-Yugoslav states and contemporary capitalist realities (through choir s...inging).
Ključne reči:
art forms / culture of memory / partisans / partisan songs / YugoslaviaIzvor:
Canadian Slavonic Papers, 2024, 65, 3-4Izdavač:
- Taylor and Francis
Finansiranje / projekti:
- This article was realised with the support of the Ministry of Science, Technological Development and Innovation of the Republic of Serbia, according to the Agreement on the realisation and financing of scientific research 451-03-66/2024-03/ 200025, and by the Slovenian Research Agency [ARRS, P6- 0400, research group “Social Contract in the 21st Century”]; Javna Agencija za Raziskovalno Dejavnost RS [P6-0400].
Kolekcije
Institucija/grupa
IFDTTY - JOUR AU - Vasiljević, Jelena AU - Štiks, Igor PY - 2024 UR - http://rifdt.instifdt.bg.ac.rs/123456789/3917 AB - This paper contends that, under certain socio-political circumstances and in given historical periods, some art forms become particularly powerful means of expressing collective ideas about a shared past. Might artistic forms themselves tell us something about the social function of collective memory, as well as about the society that “addresses” its past through them? In an attempt to answer this question, the paper will look at the distinctive artistic expressions for remembering the Yugoslav anti-fascist Partisan movement and World War II at three moments in time, during which the memory of World War II was respectively (1) institutionalized as a narrative of the Partisan struggle and victory (through monumental memorials), (2) then called into question and remolded into “dissident” literary narratives, to eventually become (3) a form of activist socio-cultural critique of both nationalist memorialization in post-Yugoslav states and contemporary capitalist realities (through choir singing). PB - Taylor and Francis T2 - Canadian Slavonic Papers T1 - How we (used to) remember the Partisans. Culture of memory and art form during and after Yugoslavia IS - 3-4 VL - 65 DO - 10.1080/00085006.2024.2351777 ER -
@article{ author = "Vasiljević, Jelena and Štiks, Igor", year = "2024", abstract = "This paper contends that, under certain socio-political circumstances and in given historical periods, some art forms become particularly powerful means of expressing collective ideas about a shared past. Might artistic forms themselves tell us something about the social function of collective memory, as well as about the society that “addresses” its past through them? In an attempt to answer this question, the paper will look at the distinctive artistic expressions for remembering the Yugoslav anti-fascist Partisan movement and World War II at three moments in time, during which the memory of World War II was respectively (1) institutionalized as a narrative of the Partisan struggle and victory (through monumental memorials), (2) then called into question and remolded into “dissident” literary narratives, to eventually become (3) a form of activist socio-cultural critique of both nationalist memorialization in post-Yugoslav states and contemporary capitalist realities (through choir singing).", publisher = "Taylor and Francis", journal = "Canadian Slavonic Papers", title = "How we (used to) remember the Partisans. Culture of memory and art form during and after Yugoslavia", number = "3-4", volume = "65", doi = "10.1080/00085006.2024.2351777" }
Vasiljević, J.,& Štiks, I.. (2024). How we (used to) remember the Partisans. Culture of memory and art form during and after Yugoslavia. in Canadian Slavonic Papers Taylor and Francis., 65(3-4). https://doi.org/10.1080/00085006.2024.2351777
Vasiljević J, Štiks I. How we (used to) remember the Partisans. Culture of memory and art form during and after Yugoslavia. in Canadian Slavonic Papers. 2024;65(3-4). doi:10.1080/00085006.2024.2351777 .
Vasiljević, Jelena, Štiks, Igor, "How we (used to) remember the Partisans. Culture of memory and art form during and after Yugoslavia" in Canadian Slavonic Papers, 65, no. 3-4 (2024), https://doi.org/10.1080/00085006.2024.2351777 . .